Movie Review for Olympus Has Fallen

Olympus Has FallenOlympus Has Fallen  

Starring: Gerard Butler, Aaron Eckhart, Morgan Freeman, Dylan McDermott, Rick Yune, Finley Jacobsen, Melissa Leo, Radha Mitchell

 

 

Directed by Antoine Fugus

 

Rated: R

Run Time: 120 mins

Genre: Action/ Thriller

 

Opens March 22nd

 

By Lisa Minzey of The Reel Critic.com

Hey Phoenix Film Fans!  Opening this week is the new political thriller starring Gerard Butler, Aaron Eckhart & Morgan Freeman. This film does not appear to be what it shows in the trailer. Curious? Check out the review below.

Being assigned to the President's security detail, Secret Service Agent Mike Benning (Gerard Butler) runs a tight ship. President Benjamin Asher (Aaron Eckhard) relies on Mike not only as a security agent but also as a friend. So when tragedy struck the first family while at Camp David, Agent Benning was reassigned to a different division within the Secret Service.

Eighteen months went by between Benning's reassignment and the latest tragedy to strike the presidency, this time too close to home. And by close I mean the White House. Tensions between North & South Korea are at an all-time high and President is set to meet with the Prime Minister of South Korea. Terrorists from an unknown affiliation have managed to over take the White House and defeating every security measure in place, except for one unknown factor. Bennett knows the White House & the procedures better than anyone, so if he can get into the White House and reach the president he can help prevent any further catastrophes before further global chaos ensues.

In an effort to keep this spoiler free as possible, this is one of those films that are fast paced and full of unexpected moments, which make it better if little information as possible is revealed beforehand. What "Olympus Has Fallen"" does well is that it has a solid script behind it, a great cast, full of unexpected moments, follows a line of reality that is logical and not too farfetched. Some have been comparing the film to “Die Hard”, which is a great film to be compared to if looking to be compared to an action film. The people that have produced & distributed films such as “The Expendables 1 & 2” & ”Drive Angry” are the ones behind this, so expect a good amount of action.  Gerard Butler shines in this type of role, blending the physical, drama and comedic moments in a likeable character. Butler seems to excel in this type of film rather than the romantic comedies as of late. The supporting cast is equally well cast in their roles; who wouldn’t want to have a Morgan Freeman type as a member of the President’s cabinet?  Be sure to check out “Olympus Has Fallen” when it opens in theaters starting Friday March 22, 2013.

Movie Review for Spring Breakers

Spring BreakersSpring breakers  

Starring: James Franco, Selena Gomez, Vanessa Hudgens, Ashley Benson, Rachel Korine

 

Directed by Harmony Korine

 

Rated: R

Run Time: 94 mins

Genre: Comedy/ Crime/ Drama

 

Opens March 22nd

 

By Lisa Minzey of The Reel Critic.com

 

Art is a subjective evaluation of looking at the world, especially when that art comes in the form of moving images and sound.  Filmed almost like a dream like state, Director Harmony Korine present to the film world a new image of squeaky clean teen role models conjures the image of a long forgotten tabloid joke and wraps it all up with the debauchery which is known as Spring Break.

Four college age girls, friends since childhood, desperately seek to travel out of town for their Spring Break Vacation.  Candy (Vanessa Hudgens), Brit (Ashley Benson) and Cotty (Rachel Korine) are the wild ones of the group while good girl Faith (Selena Gomez) tries to stay true to her roots of morality. The problem is that none of the girls have enough money to go on vacation.  The three wild girls take matters into their own hands to get the funds for all to go down to Daytona Beach, leaving their dull existence behind.

After they arrive, the girls find themselves in hot water, spending the night in jail.  During their hearing, local rapper/ drug dealer Alien (James Franco) helps them out, takes them under his wing.  Faith, being the sensible one, tries to get the girls to leave Alien but will the temptation and freedom of the Spring Break lechery be their downfall?

There should be a rating of films that are labeled WTF as it’s most fitting for this bizarre film. Yes, Spring Break is a time for the college students of the world to let loose and relax before the end of the school year. It is a fact that this time is wild, unpredictable and unruly. What this film attempts to portray is a convoluted attempt to showcase this college tradition in a dreamlike, drug and sex filled haze. It is as if it’s seen through an addict’s mind, skipping parts, going back and repeating the same diatribe over and over again expecting a different result. If there was ever a way to distance your career from the Mouse House, Hudgens, Gomez and even Franco to an extent, have done just that. Hudgens takes a risk on this role, which may pay off if she wants to get more revealing, sexually driven roles, but the danger in doing that is that it’s relying more on her physical appearance rather than her emotionally driven performances which flat lined through the film.  Gomez sticks to her roots as the good girl, but it is surprising that she would choose to be of a project such as this.  Saving the best performance of the film for last as James Franco channels the essence of K- Fed (a.k.a. ex-Mr. Britney Spears, Kevin Federline) in his drug dealer turned burgeoning rap star of the Spring Break scene Alien. In other films, Franco has played the stoner role to perfection, but the creep factor in this role is exponential. “Spring Breakers” will most likely end up as one of those cult/ art house films that play upon shock factor to drive audiences to the theater, but like most spring break experiences, will fade from memory just as fast.   You be the judge when “Spring Breakers” opens in theaters starting March 22, 2013.

Admission Movie Review

Admission admission  

Starring: Tina Fey, Paul Rudd, Michael Sheen, Gloria Reuben, Wallace Shawn

 

Directed by Paul Weitz

 

Rated: PG-13

Run Time: 117 mins

Genre: Comedy

 

Opens March 22nd

 

By Lisa Minzey of The Reel Critic.com

 

Hey Phoenix Film fans!  In this week’s new releases we have the first project up from Tina Fey since the ending of “30 Rock”. Director Paul Weitz (About a Boy, Being Flynn, Little Fockers) teams up Tina Fey and Paul Rudd for the comedy “Admission”.

Portia Nathan (Tina Fey) loves her job as a Princeton University Admissions counselor. When she finds out that she is in the running for a promotion against her rival Corinne (Gloria Reuben), she knows that she needs to play her cards very carefully. Everything seems to be going well in her life as she set out to visit high school campuses to sell the prestige of Princeton to hopeful applicants.  Until she visits a new school campus, New Quest High School run by John Pressman (Paul Rudd), who mentors an unusual student that he, wants Portia to meet.  Jeremiah (Nat Wolff) is a highly gifted student that may have a more personal connection to Portia than she realizes.

After the trip to alternative high school, Portia finds herself delving into unknown emotional territory, taking on uncalculated risks that may jeopardize her career and shakeup  her home life with longtime boyfriend, Mark (Michael Sheen).  Will Portia be able to keep it together until the big promotion or will the recent life altering revelations be too much to handle?

If you’re one of those people who think that all the funny parts of the film are in the trailer, you’re only half right. Casting Paul Rudd and Tina Fey against each other would make for comedy gold, but it’s their relationships with the supporting cast that is more humorous and fun to watch. This is a more subtle comedic tone, with more serious scenes balanced out with Fey’s trademark snarky tone. In the scenes that Rudd and Fey are together, the chemistry is palpable, fun and pings back and forth like a well matched team. The supporting cast of Michael Sheen, Lily Tomlin, Wallace Shawn and Gloria Reuben enhances the comedic situations that Portia and John find themselves in, creating a good mix of laughter and drama. Be sure to check out “Admission” when it opens in theaters starting Friday March 22, 2013.

Movie Review for Old Goats

Old Goats old goats Starring: Bob Burkholder, Britton Crosley, David Vander Wal

Directed by Taylor Guterson

 

Run Time: 91 mins

Opens March 15th

 

By Lisa Minzey of The Reel Critic.com

 

Phoenix Film Fans!  This week we have an indie film to showcase opening this weekend at Harkins Camelview. Part biography/part fiction, "Old Goats" follows around three older gentleman and the path their friendship takes over a few months.

First up is Bob Burholder. Bob is an fascinating fellow with a colorful past which is extending into his golden years. Known in his younger, wild days as a ladies man, Bob boasts that he's been with over 60 women, served in the military, is an avid hunter and is now on the path of biographical author.

David Vander Wal is a newly retired gentleman who met Bob in his senior fitness class. Bob needed a ride home one day, and once he got to know him, the two became fast friends. Dave and his wife are snowbirds for part of the year, traveling from Seattle to Palm Springs for 6 months of the year.

Lastly there is Britt Crosley. Britt is an unusual fellow, recently retired and lives on a boat. He worked in the oil industry for 30 years, never married and lives his life on his own terms. Socially, he is pretty shy and awkward but with Dave and Bob's help is able to land a girlfriend in no time at all.

"Old Goats" is a charming film whose characters are the show case rather than the story itself. The three men as the lead actors are amusing to watch and see the situations they get themselves into as they navigate through their next life phase. Most of society doesn't think that the older generation are up to speed on technology, modern communication such as internet dating and sex talks, but it's presented in a comical, yet charming manner making it enjoyable to watch. Be sure to check out "Old Goats" playing at Harkins Camelview 5 starting Friday March 15, 2013.

The Incredible Burt Wonderstone Movie Review

The Incredible Burt Wonderstone incredible_burt_wonderstone_ver5  

Starring: Steve Carell, Steve Buscemi, Olivia Wilde, Jim Carrey, James Gandolfini, Alan Arkin, Jay Mohr

 

 

Directed by Don Scardino

 

Rated: PG-13

Run Time: 100 mins

Genre: Comedy

 

Opens March 15th

 

By Lisa Minzey of The Reel Critic.com

 

The wonderful world of showcase magicians is a relatively unexplored topic in films to date, unless you count the boy wizard, Mickey Mouse or relying on heavy CGI effects. In more of a character study, two comedy giants Steve Carrell and Jim Carrey, duke it out in a farcical tale "The Incredible Burt Wonderstone."

In the wondrous year that was 1982, young Albert got his first taste of magic in the form of a birthday present from his mother; a genuine Rance Holloway Magic Set. Albert was so enthralled and enchanted by the set that he delved into it. At school, the other kids bullied young Bert, but one young lad thought his tricks were cool. Anthony (Luke Vanek) was another kid outcast by his peers but found a true friend in Albert, bonding over magic tricks and illusions.

As the boys turned into men, their act Burt (Steve Carrell) and Anton (Steve Buscemi) become more sophisticated, catching the attention of Las Vegas hotel owner Doug Munny (James Gandolfini). In the early 1990’s and 2000’s, Burt & Anton were the hottest ticket in Vegas. After thousands of shows, a massive fan base and unfathomable riches, Burt’s egotistical, entitled, epicurean colors ruled his life, threatening his relationship with Anton and their future in magic.

The men’s career took another hit when street magician Steve Gray (Jim Carrey) rolls into town with his reality t.v. show, showcasing some of the most outrageous, repugnant and deranged stunts ever seen.  With the attendance numbers low to their performances and the arrival of Steve Gray, Doug Munny is forced to fired Burt and Anton. Burt blamed Anton for their lack of originality, forcing Anton to end the friendship out of respect for himself.

Burt, now homeless, unemployed and still unfulfilled by life is forced to take jobs at the local Big Lots store and retirement homes to survive.  Will he be able to regain all that he has lost or will Steve Gray win, taking all the joy and wonder out of magic performance?

Entertainment comes in all shapes, forms and sizes, but when it comes in two comedy titans, be prepared for an interesting ride. The premise of the film at first glance is as campy as it seems, but the characters created by Steve Carrell and Jim Carrey puts them back on top for a comedy hit.  Carrell’s Wonderstone is an amalgamation of the idiocy of Anchorman, the arrogance of Michael Scott from The Office, and the childlike charm and wonder of Andy from The 40 Year Old Virgin.  This is a surprisingly enjoyable comedy that is full of unique characters, ridiculous situations but oh so much fun to watch. Be sure to check out “The Incredible Burt Wonderstone” when it opens in theaters starting Friday March 15, 2013.

 

 

Oz The Great and Powerful Movie Review

Oz the Great and Powerful Oz  

Starring: James Franco, Michelle Williams, Rachel Weisz, Mila Kunis, Zach Braff, Joey King

 

 

Directed by Sam Raimi

 

Rated: PG

Run Time: 130 mins

Genre: Action/ Adventure/ Fantasy

 

Opens March 8th

 

By Lisa Minzey of The Reel Critic.com

 

Hello Phoenix Film Fans! This week’s new release is the eagerly anticipated prequel to the classic 1939 film, “The Wizard of Oz”. “Oz the Great and Powerful” takes a look at how the wizard from the original film ended up in Oz and his role in shaping its destiny.

Small time magician/ con man Oscar "Oz" Diggs (James Franco) finds himself in a bit of a pickle one day at the circus. All in one afternoon he is called out as a fraud for not healing a young wheel chair bound girl, and the jilted lover of one of the circus performers he was seducing, finds out about his ploy. In an attempt to escape, Oz climbs into a hot air balloon right when a tornado was blowing through town, transporting him to a fantastical, vibrant, Technicolor world filled with wondrous creatures.

One of the first people he encounters in the strange land is a young woman claiming to be a witch, Theodora (Mila Kunis). She claims that he is the one the prophecy foretold of, a man would come to the land of OZ to save them all from the wicked witch and her army of baboon flying henchmen. Oz tries to weasel his way out of it, but once he hears that he will inherit a kingdom; all the gold and riches of the land, he's all in. Along their journey back to the Emerald City, Theodora becomes rather fond of Oz, claiming a romantic stake on him. Oz is not too keen on this, but indulges Theodora until he can get to the city. Oz also saves a flying monkey named Finley (Zach Braff) who pledges his lifelong allegiance to serve him until the day he dies.

Once they reach the Emerald City, Theodora's sister Evanora (Rachel Weisz) is not as convinced that Oz is the one the prophecy foretold of. Evanora gives Oz a task, go kill the wicked witch and the Emerald City, he will reign as its king. Never killing a witch before, he's not sure he's up for the task but money talks.

Oz and Finley set out to kill the witch and along the way save a young girl and discover that the so called "wicked witch", Glinda (Michelle Williams) is not what she appears to be revealing the true nature of the rules of Oz.

Now Oz and his rag-tag followers must take on the impossible to free the people of Oz. Will Oz be able to overcome his selfish ways, or will the magical land perish under the rule of the true wicked witch?

Adaptations, remakes, prequels and sequels to beloved films can be a rather risky, challenging endeavor as an artist, especially when the subject matter is a classic Hollywood movie. Since the theatrical release of the “The Wizard of Oz” in 1939, the film has generated an award winning Broadway musical, several TV films and countless cultural references. Director Sam Raimi (Spiderman, Xena: Warrior Princess, The Evil Dead)) had an enormous responsibility to the fans of the beloved film and passed with flying colors. The attention to details from the first film that made it into Raimi’s film is astounding. From the opening credits to the various scenes and characters of Oz, the magical journey the viewer goes through is exciting, thrilling and at times a little frightening with some of the baboon creature. I don’t say this often, but this is a film that you want to see in 3D, as it is so magical that it’s worth being a part of.  Be sure to check out “Oz the Great and Powerful” when it opens in theaters nationwide starting Friday March 8, 2013.

Movie Review for Emperor

Emperor Emperor-OneShtMD  

Starring: Matthew Fox, Tommy Lee Jones, Eriko Hatsune, Takatarô Kataoka

 

Directed by Peter Webber

 

Rated: PG-13

Run Time:106  mins

Genre: Drama/ History/ War

 

Opens March 8th

 

By Lisa Minzey of The Reel Critic.com

 

Honor. Loyalty. Devotion to their country’s leader. These principles have presided over Japan for more than 2000 years.  Americans may never fully understand these notions as our culture is younger and was formed under enlightenment principles. During World War II, these notions were followed to the letter by the Japanese and their involvement of engaging the United States in warfare. Inspired by the true story and adapted from the book “His Majesty’s Salvation” by Shiro Okamoto “Emperor” takes a look at the moments of the time of Japan’ surrender to the investigation and occupation from U.S. Forces participation in the rebuilding of Japan.

V - J Day and V-E Day were some of the best days of 1946. General Bonner Fellers (Matthew Fox) had been assigned along with the General Douglas MacArthur (Tommy Lee Jones) with the task of rebuild Japan after the surrender of the Emperor. Their massive feat was within 10 days; conduct an investigation on the involvement of Emperor Hirohito’s (Takatarô Kataoka) role in World War II. The Japanese Emperor is worshiped as a god by his people, along with an ingrained belief in honor and sacrifice, makes this investigation severely challenging.

Adding fuel to the fire is Gen. Fellers’ pre-war involvement with a Japanese woman Aya (Eriko Hatsune) he met years before while living in the United States.   They met on their college campus; she being a transfer student whose family had military ties. Aya had to leave the states suddenly, and years later prior to the start of World War II, Fellers traveled to japan again, studying her culture and the psychology of the Japanese warrior.

Can Fellers succeed in his investigation into finding the Emperor free of guilt or that by his order, millions of men and women suffered from horrible deaths, leaving his country in ruins?

There are so many things, event and ideals that are not taught in schools that make you wonder "Why I didn’t hear about this as a kid?". We (or at least most of us) get the cliff notes of history but really don’t seek out the other side of the story, such as this one. World War II has so many different untold stories and seeing a film like this makes the history buff in me want to research a little more because it’s intriguing. Many people lost their lives but who were the people and their involvement in rebuilding? What was going behind the scenes of leader’s closed doors, war rooms and private offices? Could one phrase, one word, look or decision saved millions of lives?  What “Emperor” did right was ask these questions in a subtle, honorable way. Director Peter Webber presents a poignant tale of love, honor and the dark side of humanity and sheds light on the steps to try and rebuild. It’s an intriguing look at a war story that has not been widely known and brings humanity to a dark and chaotic time in history. The love story wrapped into the main plot was a weakly developed, shown through flashbacks. The chemistry between the love interests Gen. Fellers and Aya was severely understated and made the pacing lag.    The real life characters portrayed by Matthew Fox, Tommy Lee Jones, Takatarô Kataoka are well represented, with the most memorable lines coming from Jones as General Douglas MacArthur. If you’re a history buff or interested in this era, be sure to check out Emperor when it opens in theaters starting Friday March 8, 2013.

Dead Man Down Movie Review

Dead Man Down Dead man down poster  

Starring: Colin Farrell, Noomi Rapace, Dominic Cooper, Terrance Howard

 

 

Directed by Niels Arden Oplev

 

Rated: R

Run Time: 110 mins

Genre: Drama/ Action Crime

 

Opens March 8th

 

By Lisa Minzey of The Reel Critic.com

 

When you see a list of credits from a director that include “The Girl with the Dragon Tattoo” (2009 version), “Worlds Apart” and “We Shall Overcome” the expectations would be set rather high for a thrilling, intriguing film. In his latest film, Director Niels Arden Oplev takes on the arduous task of a gritty revenge thriller, “Dead Man Down” starring Colin Farrell, Noomi Rapace, Dominic Cooper and Terrance Howard.

Over the past three months, New York crime boss Alphonse (Terrance Howard) has been receiving strange letters, threats and several of his thugs have been executed. It has been driving him insane, accusing many of those whom he deals with “professionally” and taking out those who he feels may be the threat.

What if the real threat was coming from within his organization? Fellow security members on Alphonse’s team Victor (Colin Farrell) and Darcy (Dominic Cooper) have been tasked to following leads of where the threats have be originating from hoping to find the real killer.

Meanwhile, Victor, in his personal life, is a man with a secret to hide. His neighbor Beatrice (Noomi Rapace) has developed a bit of crush on him and then on one of the worst first dates ever, black mails Victor into doing a criminal deed to hide another crime he had committed. Victor, bewildered and hell-bent on accomplishing his own agenda agrees to help and must be able to figure out a way to complete his mission of revenge along with Beatrice’s revenge plot before Alphonse’s men can figure out his real identity.

Since when did WWE start making films? This film is the only one in recent memory that a single actor kept me interested in watching the film. Colin Farrell is this film’s saving grace, he is the only appealing actor to develop. Although the film is cast with actors that can carry a heavy performance such as Noomi Rapace (The Girl With the Dragon Tattoo), Dominic Cooper (The Devil’s Double) and Terrance Howard (Hustle and Flow) nothing can save the story from the disjointed, convoluted mess of a plot. The setting is confusing as it takes awhile to realize the story takes place in New York; the first date between Beatrice and Victor is mind boggling awful and many scenes meant to be serious come off being ridiculous and laughable. If you don’t mind a film where it will be two hours of just mindless entertainment, check out “Dead Man Down” when it opens in theaters starting Friday March 8, 2013.

Interview with a Few Vampires - Erik Odom & Guri Weinman from Breaking Dawn Part 2

Interview with a Few Vampires - Erik Odom & Guri Weinman from Breaking Dawn Part 2  

By Lisa Minzey of The Reel Critic.com 

 

Now that the whirlwind of a film frenzy that is the Twilight Saga is coming to a close marked by the release of the Breaking Dawn Part 2 DVD, we had the chance to sit down with two charming additions to the Saga, Erik Odom (Peter) and Guri Weinberg (Stefan). It was a delightful opportunity to get to briefly chat and discuss their experience with the Twilight phenomenon. It’s unfortunate that the fans had to wait until the very last film to be introduced their characters as they are entertaining and charismatic in person and would have been enjoyable to see more of in the film.

 

PFF: How has this whole Twilight experience been for you guys?

 

guri-stefan

 

 

GW:  It’s one of those weird things that you can’t really get used to it. You’re trying to wrap your mind around this huge movie with such a huge fan base; you just don’t know how to handle it. I sure as hell have not figured out how to handle yet so it’s overwhelming, you know?

 

 

 

Erik-Odom-13EO:  It is. It’s one of those things that joining the cast as late in game as we did [joining on the last film], you have an idea in your head what it’s going to be. You think about that; you see it from the outside and it’s this huge thing. That’s what you set your expectations for, but no matter how much you prepare yourself for it. When you’re actually hit in the face with it and it’s there and you’re in the inside of it, it becomes a completely different scenario and it is overwhelming at first. I don’t think anyone could enter into it and be completely neutral about it. It overwhelms you in a positive way; you take it on and learn how to navigate. It’s a controlled fall. You go along and adjust to it, knowing full well that you can’t control it. You embrace it.

 

GW: Controlled fall - I’m so stealing that!

 

EO: Pretty smooth, right? That’s the first time I’ve described it that way.

 

GW:  (pretending to write it down) I’m so using that.

 

PFF: How eloquent of you.  I like it…

 

EO’s friend (in background): I trademarked it so deal with it.

 

( Everyone Laughs)

 

PFF: Do you have a favorite moment from this whole experience?  After traveling the world and encountering fans, are there any moments that stick out in your mind over the others?

 

EO: The big one for me was the Part Two premier in Los Angeles. I went to the Part One premier in L.A., where they unveiled our characters and then [San Diego] Comicon but for me it was taking my mom to the Part Two premier as my date.  She has been the biggest Twi-hard since day one and I remember her talking about Breaking Dawn years ago…when she was just reading the book. To be able to say “Mom, come on out and meet everybody”, introduce her to all the actors and others, seeing her enjoy it just made it 100 times better to me.

 

GW: I guess the biggest one for me was in October, where we had to go to Baton Rouge to do this camera test for make up & hair, talk to the director [Bill Condon] about our characters and other things. When we arrived and told us that “Tonight we’re going to have dinner tonight” on one of the nights, where we thought it was just a few of us; Lee [Pace], Mackenzie [Foy], Rami [Malek] and a few others. We didn’t think much of it but the next thing I know, we walk into a restaurant, directed towards a back room and the whole main cast is there; Stefanie [Meyers] is there; we didn’t realize it was going to happen that way. It was this awesome little welcoming experience with the cast, Bill [Condon - director], the producers and everybody. It was very overwhelming because here we are the new additions into this well established project; it was just a very kind gesture to do.

 

PFF: Have you guys read the books or any of the series?BD2-DVD

 

GW: I had read Breaking Dawn.

 

EO: When I found out about the audition, I had already seen the first two movies [Twilight & New Moon] and Eclipse was already in theaters so I went and saw a late night showing. Then days before the audition I read Breaking Dawn; after I found out that I was cast I went back ready all the parts, honing in Peter’s scenes in Eclipse and even reading his parts in Midnight Sun [unpublished to date]. There was a lot of Peter/Charlotte moments that I wanted to use as much as I could. You’re lucky with adaptations that you have a lot more back story to go off of, because the books just by virtue of the format, much more detailed than the script could ever be.

 

PFF: Watching some of the Behind-the Scenes footage from the Special Features DVD on B.D. pt. 2, there were a lot of the cool zip line action and vampire stunts. How much of that did you get to experience? How much did you have to prepare for the different fight scenes?

 

GW: You know how everyone from the main cast was talking about how much they had to prepare with their fight scenes and stuff, but apparently with the new cast they decided not to do that. When we’d show up on set, Noel [Fisher – Vladimir] and I, the crew was like “Yeah, were going to put you up in this harness hooked to a wire, hoist you 50 feet up in the air, in the middle of the woods, then we’re going to drop you. Trust us, we’re going to catch you; it’s going to be fun.” So of course, the first take, you know they put me up and I literally almost piss myself and scream like a little girl because I wasn’t ready for it. You know, they have you hold this rope to steady you and they say “Guri, drop the rope.” So I do and wait for them to say action but they drop me, so AHHHH…. They’re like, “Uh, can we do one with out the screaming?” I’m like can we do one where you call action? They said that was what we meant when we told you to drop the rope. So no, they didn't prepare us.  They put us in the harness and the treadmill. You know with the treadmill with the running and all that, you’re put behind a big truck and that truck has a big exhaust that put out smoke (make a grimacing face) that goes in your face and you’re like, “I’m not breathing hard; I’m a vampire!” So that was more of my experiences with the stunts. With the fight scenes, you get hurt, get kicked in the head; you know they teach you right on the spot but yeah that was my experience. (Laughs)

 

EO: I can’t top that. There was a lot that was kind of fly-by-the-seat-of-your pants kind of stuff. The choreography was

 

GW: The thing with Michael, you were on the harness.

 

EO: Yeah, there was a scene that didn't make it into the movie where, I won’t get to spoiler-y with it, basically Peter picks a fight with Aro and it doesn't go well for me. (Laughs). I pick a fight with Aro and it’s basically where Aro and Edward are about to face off.  As Peter, I try to go in there and cut them off and it doesn't end well, but yeah, I was hooked up to a harness. Thy give you the quick verbal tutorial and pat you on the back, wish you the best and off you go. It was blast for me; the hardest thing was being in the harness; get thrown by Michael’s character and then trying not to laugh as I go off screen because it’s so much fun!

 

GW: Yeah!

 

EO: It’s basically like a bungee cord and you’re getting thrown around. As far as the choreography on the battle field fight scenes, the contacts were the most interesting. The contacts would block out all your peripheral vision, so you would have to do this choreography based on 8 counts. You would have to trust the counts because you wouldn't be able to see when the stunt guy would be coming from your right about to swing and knock you in the head. You duck on that 4 count because if you duck on 5 count, you’re going to take it to the side of your head. It was a blast, but yeah there was not too much prep for it. It was pretty much go for it and hope for the best.

 

GW: It’s like a controlled fall. You like how I brought that back? I toldja I was going to steal it…

 

(The two high- five)

 

PFF: Nice call back!

 

EO: This is a helluva interview we’ve got going on right now… we’re in our afternoon synergy.

 

PFF: Are there any tip or tricks that you experiences on set that you picked up and have been able to use in current/ future projects?

 

GW: Ohhhh... that’s a tough one to answer. On every set you pick up something that you haven’t picked up somewhere else because it’s a different experience. This one was more, because they were vampires; it was more about control, due to the lack of human element/ behavior missing.  For me it’s almost mish-mashes into one another. That’s the one thing I would say: control.

 

EO: When you’re in such a large ensemble cast, I found it so interesting to sit back and watch. Everyone’s process was a little different; for example, take a person like Michael Sheen, whom I respect greatly coming into this project. He’s a brilliant actor. To watch him from take to take, do things completely different each time. He would come in with 5 or 6 different takes on a scene. He would give a speech, for instance, and you’d watch the speech and then ask anyone on set, “Which take do you think was the best? Which one do you think is going to make it?” People were so dead set on certain takes but it was never the same one twice. So you’d talk to some one and they would be like” oh, it’s gong to be the second take, it was amazing; that’s what it is”.  Someone else would ay “Oh no, it’s the forth take, it has to be the one that’s used.” So it’s fun to see the finished product to see which one actually made it into the film. What it a gift and testament that it is to Bill that 1.) He’s able to get that from his actors and 2.) He’s able to go into the editing room and decide that’s the one to use.  You see the finished product and go “That’s the one; it couldn’t have been anyone one, it’s perfect.”

 

PFF: This last question is a two part question. How did you get your start in acting?

 

GW: For me it was as a kid watching movies and being inspired by what the actors did and how they made me feel. I wanted to do the exact same thing so that’s why I got into the biz.

 

EO: I acted as a kid and as I got older, I went away from it. I realized that there was a void in my life as all I wanted to do is tell stories.

 

PFF: Ok last question because we are running out of time. What are you working on now? What’s up next for you?

 

GW: I worked on Body of Proof [TV Show] which will be out soon and we’ll see what comes up next.

 

EO: I have an independent film that I’m shooting in the fall of 2013 that has some fun Twilight connections so stay tuned.

 

 

Be sure to keep an eye out for these two, not because they are talent actors but because they are genuinely cool guys.  Connect with them on Twitter @ErikOdom & @GuriWeinman. The Twilight Saga: Breaking Dawn Part 2 is out on DVD starting March 2, 2013.

Jack the Giant Slayer Movie Review

Jack the Giant Slayer jack_the_giant_killer_ver10  

Starring: Nicholas Hoult, Stanley Tucci, Ewna McGregor, Eleanor Tomlinson, Ian McShane

 

 

Directed by Bryan Singer

 

Rated: PG-13

Run Time: 114 mins

Genre: Fantasy/ Adventure/ Drama

 

Opens March 1st

 

By Lisa Minzey of The Reel Critic.com

 

Hey Phoenix Film Fans! It's  Friday, and we have a new release in the fairytale genre of films in the new retelling of "jack and the Beanstalk"  called "Jack the Giant Slayer" this movie stars Ewan McGregor, Stanley Tucci, Nicholas Holt and Eleanor Thomas.

As a boy Jack, would fall asleep to stories of the giants when they tried to conquer the land. Princess Isabelle also was read stories of the giants from her mother and how the king worked with the monks to craft a crown that would control the fiends, forcing them under his rule. Once the giants had been forced back to their land, all the remaining magic beans went, along with the crown, to the king's grave. Peace reigned for many centuries until Princess Isabelle (Eleanor Tomlinson) was 18. Her mother had been killed by the plague, and she was betrothed to marry a man much older than her, Roderick (Stanley Tucci).  Isabelle longed for adventure, to learn about her people and the choice to fall in love with whom she chose, but her father, King Brahmwell (Ian McShane) was against it. Roderick was not the most noble of men, as behind the scenes he was plotting to take the kingdom over after he and Isabelle wed. He planned on using the magic beans and the crown from the ancient king's grave to bring back the giants and control the land.

Somewhere along the way, a monk caught wind of this evil plan and stole the beans from Roderick. Jack (Nicholas Hoult) had traveled to the palace ground that day, intending to sell his horse, where he catches sight of Isabelle and is coerced by the monk into giving him his horse in place of the magical beans.  Jack only mission was to get the beans back to the monastery to get his real money, but fate intervened on the home front. Jack uncle reprimanded him about the horse; Isabelle ran away from the castle, showing up on his doorstep and in the midst of a torrential downpour, a single bean got wet, sprouting a beanstalk up to the land of the giants.

During all of the commotion, Isabelle was separated from Jack and now it is up to him, one of the king's loyal guards Elmont (Ewan McGregor) and Roderick to climb the beanstalk to help save her.  Will they be able to find the princess in time or will a new war commence between humans and the giants bringing the world as everyone knows it to an end?

In a long line of many fairy tale modern retellings, "Jack the Giant Slayer" does right by the genre.  The film is action packed, humorous and has a decent pacing to the story. There is no shortage of deaths in this film and the giants, although CGI & rather lack luster, are enjoyable to watch nonetheless. This retelling of "Jack and the Beanstalk", albeit violent, keeps a light hearted tone through out and is more playful, less dark than the retelling of "Snow White", the 2011 film "Snow White and the Huntsman".  The only thing that bothered me about the film was the wardrobe choices for Jack because he looked he could have been set in modern times and still look fashionable.  Be sure to check out "Jack the Giant Slayer" when it opens in theaters staring Friday March 1, 2013.

 

21 & Over Movie Review

21 & Over 21 and over  

Starring: Miles Teller, Skylar Astin, Juston Chon, Sarah Wright, Francois Chau

 

 

Directed by Jon Lucas & Scott Moore

 

Rated: R

Run Time: 93 mins

Genre: Comedy

 

 

Opens March 1st

 

By Lisa Minzey of The Reel Critic.com

 

Another film we checked out this week was the raunchy new comedy from the writers of "The Hangover” & “The Hangover II”, called "21& Over". College years can be crazy enough, but can it top these guy's night?

After high school, most friends go their separate ways, going to different colleges or entering the workforce. What brings them together are the significant moments in each other's lives, such as turning 21.  When it was Jeff Chang's (Justin Chon) birthday, friends Miller (Miles Teller) and Randy (Jonathan Keltz) decided to go up to his school, Northern Pacific University to surprise him, taking him out for his "power hour".  When the guys arrive, Jeff is surprised to see them, but the timing couldn't be worse.  Jeff's father was also there to supervise and accompany his son on his interview to get into medical school. Mr. Chang is a scary guy and the boys are all scared to death of crossing him, so taking Jeff Chang out may be a challenge for Miller and Randy.  Jeff refuses to go out with the guys, but the boys assure that they will get one drink and be home early. Miller coerces Jeff Chang into going out and they end up having too much fun. Jeff Chang ends up passing out, leaving Miller and Randy clueless on how to get Jeff home.

In an effort to get their friend home, the boys back track through the various leads they find to attempt to get their friend home.  The task is not easy as they encounter crazy Latino sorority girls, evil male cheerleaders, an insane pep rally and the parties of all parties to get their friend home before his interview.  Will they make it time or will they totally wreck their friend's chances for getting into med school?

What could be considered as a college version of the movie "The Hangover" mixed with "Animal House", the comedy is taken to new and more juvenile and crude levels. Although there is quite a bit of nudity, it is tastefully concealed (to a pint), but is flanked by vulgarity, racist jokes and unrealistic aspirations that today's generation is constantly bombarded with. The film took a page out of a 15 year-old boy's journal and made it the plot.  That's not to say that it wasn't funny; it was, but some scenes were unnecessary in the way the filmed flowed making it choppy in some points and ridiculous to watch. If you're looking for some cheap laughs, check out "21& Over" when it opens in theaters starting Friday March 1, 2013.

Bless Me, Ultima Movie Review

Bless Me, Ultima Bless-Me-Ultima-2013-movie-poster  

Starring: Luke Ganalon, Miriam Colon, Benito Martinez, Delores Heredia, Castulo Guerra

 

Directed by Carl Franklin

 

Rated: PG-13

Run Time: 106 mins

Genre: Drama/ War

 

Opens February 22nd

 

By Lisa Minzey of The Reel Critic.com

 

Another new release in Phoenix is the film adaptation of the best-selling Chicano novel of all time, “Bless Me, Ultima” by Rudolfo Anaya. The novel has been on many a list since its first publishing in 1972 but continues to enthrall and enchant readers today. Can the film adaptation live up to the book?

It was the summer of 1944 when Ultima (Miriam Colon) came to live with the Marez family. Antonio (Luke Ganalon) was about to turn seven, starting school and with a curandera coming to live with him and his family, it was an extremely exciting time for them all.  Many people misunderstood Ultima, thinking that she was a witch of sorts but Antonito was fascinated and drawn to her like nothing he has ever known. A curandera is a healer, specializing in herbal and alternate medicinal remedies, so although she was feared by many, she was also revered by those she helped.

Antonio and his family lived in a small town in rural New Mexico where much tragedy and strange occurrences took place, many of them witnessed by the young boy. Being so young but wise for his age, he took everything in but questioned it all. With the guidance of his teachers, parents and most importantly Ultima, Antonio takes on many challenges, by his peers, community and supernaturally but will he be able to overcome the tests unscathed?

For a book whose popularity had been mostly word-of-mouth, on one of the most challenged books in the Unites States and is one of the best selling Chicano novels of all time, it’s hard to believe that this story was first published over forty years ago. Although the numbers don’t reflect the type of sales that other franchises are known for, this film adaptation of the well-respected novel is top-notch. With Director Carl Franklin (Devil in a Blue Dress, Out of Time) helming this project, for the film connoisseur, there are so many visual feast for the senses to indulge in. The cast, especially the children actors, are superb in their roles, most notable the role of Antonio played by Luke Ganalon. The wonder and wisdom that this kid actor is able to convey in his young age is pretty astounding. The scenery is gorgeous; the era the story is set in is a great choice and overall an enchanting story that should be watched or read by all.  Be sure to check out “Bless Me Ultima” when it opens in theaters starting Friday February 22, 2013.

Movie Review for Snitch

Snitch  snitch  

Starring: Dwayne Johnson, Jon Bernthal, Barry Pepper, Susan Sarandon, Michael Kenneth Williams, Melina Kanakaredes, Benjamin Bratt

 

Directed by Ric Roman Waugh

 

Rated: PG-13

Run Time: 112 mins

Genre: Drama/ Action/ Thriller

 

 

Opens February 22nd

 

By Lisa Minzey of The Reel Critic.com

 

Hey Phoenix film fans! This week's new release is the inspired by a true story, crime thriller “Snitch”, starring Dwayne Johnson, Susan Sarandon and Barry Pepper this is a new type of film for the rock as he is mostly known for his actions and comedies this is his chance to shine as a serious actor.

When John Matthews’ (Dwayne Johnson) got the call that his son, Jason Collins (Rafi Gavron) was framed and arrested on drug charges, a lot of emotions came to the surface.  Guilt about not being there for his son; anger that Jason has screwed up his life and terror knowing that his son may face up to 30 years in prison if he doesn’t work with the authorities by giving up the name of someone who sells drugs in his inner circle.

Jason remains silent not wanting to frame anyone for the same charges he is facing, so John takes matters into his own hands. John approaches District Attorney Joanne Keeghan to cut a deal; he would pose undercover as a business man looking to score drugs as a second business. If he turns in his drug source, then Jason’s sentence will get reduced.   Keeghan agrees, and under the watchful eye of Agent Cooper (Barry Pepper), John enters the seedy underworld of Missouri’s drug scene. Not really knowing where to start, John combs his employee’s records and finds the perfect candidate in Daniel James (Jon Bertha) a man twice convicted for narcotics. John convinces Daniel to make an introduction to local drug dealer Malik (Michael Kenneth Williams). If John can manage to convince Malik that he’s legit and get the feds to make the arrest, Jason will be on his way home in no time.

At least, that what John thinks what may happen. When Agent Cooper lets the staged drug bust slide, hearing that they may have access to Malik’s supplier, Keeghan sees the perfect opportunity and ups the ante for John. If John manages to get access to the drug supplier, Jason can go free immediately. Only catch is that by doing this, he is putting his whole family and his own life in danger because he is going up against  not just a local drug lord but the Mexican Drug Cartel. To make matters worse the drug lord is a major player in the Mexican Drug Cartel, Juan Carlos “El Topo” Pintera (Benjamin Bratt). John only gets one opportunity to nail down Pintera, but is he in way over his head?

What “Snitch” excels in is that it is a rather well done, character driven drama; focusing more on the relationships, less on the action. The ethical questions and moral dilemmas that each character is placed in versus having a lot of action to support the film, is a fresh and unique approach. Although there is some shoddy camera work near the beginning of the film, it makes up with a artfully done car chase scene with a semi truck. Dwayne Johnson is not a strong enough actor to carry the entire film, but he does well in the role of the contractor father. The supporting cast that surrounds it really makes it sound worth watching; it is a complicated story which poses a lot of intriguing thought provoking questions, and it could spark some debate about how the legal system prosecutes drug offenders. Check out “Snitch” when it opens in theaters starting Friday February 22, 2013.

Safe Haven Movie Review

Safe Havensafe haven  

Starring: Julianne Hough, Josh Duhamel, Cobie Smulders, David Lyons

 

 

Directed by Lasse Hallström

 

Rated: PG-13

Run Time: 115 mins

Genre: Drama / Romance

3 frames out of 5

 

Opens February 14th

 

By Lisa Minzey of The Reel Critic.com Hey Phoenix Film Fans!  Just in time for Valentine's Day is the new release, "Safe Haven" based on the novel by Nicholas Sparks, starring Josh Duhamel, Julianne Hough and Cobie Smulders. To date the most beloved films out of the Spark's collection has been "The Notebook (2004), so fans may want to know how does this compare in the romance/ chemistry department?"

Dashing off in the wee hours of the morning "Katie" (Julianne Hough) is a woman on the lam. It's not quite clear why she's running from Boston Police Officer Tierney (David Lyons), but it’s looking like first degree murder. Or so says Office Tierney. Katie, a.k.a. Erin evaded the authorities and took a bus headed towards Atlanta. At a pit spots in the small coastal ton of Southport, NC. Katie, going by a gut feeling, decides to stay in the small town and start her life over.

After finding employment and a place to stay, she starts to get to know some of the locals. Her neighbor Jo (Cobie Smulders) is the closest person (vicinity-wise) to Katie who usually tries to keep to herself. The local general store owner Alex (Josh Duhamel) and his daughter Lexie (Mimi Kirkland) have taken a fancy to the elusive Katie. Guarded as she may be, she slowly starts to let Alex and his kids into her life, but still remains a mystery, especially to Alex.

As with all Nicholas Sparks’s stories, the mysterious pasts and secrets never remain quiet, especially in a small town such as Southport. Officer Tierney all this time has been search for his wife Erin Tierney, framing her by putting out an A.p.b. wanted for 1st degree murder. Alex is best friend with a local police office so when he sees Katie/Erin’s pretty face on a wanted flyer, he tells her to leave; leave him aloe, leave town, basically get as far away as she possibly can. Katie is crushed as she was falling for Alex and his kids, but the terror of seeing her ex-husband is enough for Katie to make a quick getaway.

Will Alex come to regret his hasty decision of leaving Katie before she had a chance to explain? Will Katie be able to start again in a new town or will the ghosts of her past keep her on the run for the rest of her life?

As a general fan of the book by Nicholas Sparks, the translation between book and screen got lost in translation. Although the film is based on the Nicholas Sparks’ book, so many of the details of the characters did not carry over from the book; which lost some of its charm and appeal in the film. The movie is decent, but it’s one dimensional and the problem lies within the script. The actors did a good job of trying to create the essence of Katie and Alex, but the small details left on the pages were changed for the film. For example, in the book, Alex is ex-military and runs his deceased wife’s family store. In the film, the store was his family’s store and no military background; just settled there after getting pregnant. Alex being ex-military was a huge plot point in the book and made so much more sense than what was presented in the film. Julianne Hough and Josh Duhamel had terrific chemistry on screen which helped the film immensely, but not enough to make the story better. You be the judge when “Safe Haven” opens in theaters starting Thursday February 14, 2013.

Movie Review for Beautiful Creatures

Beautiful Creatures beautiful_creatures_ver3  

Starring: Alden Ehrenreich, Alice Englert, Jeremy Irons, Viola Davis, Emmy Rossum, Thomas Mann, Emma Thompson

 

Directed by Richard LaGravenese

 

Rated: PG-13

Run Time: 124 mins

Genre: Drama/ Fantasy/ Romance

 

Opens February 14th

 

By Lisa Minzey of The Reel Critic.com

 

Have you ever had a dream or nightmare that after you woke up and thought, “Well that was really weird!”? Then the same dream kept reoccurring night after night until you met the person in the dream? Not everyone is as lucky (or unlucky, perhaps?) as Ethan Wate (Alden Ehrenreich) as he has met the girl of his dreams in the new girl in his sophomore class, Lena Duchannes (Alice Englert). For months he has been having his bizarre dream of a girl whose face he can’t see because a storm is blowing his hair into her face and when he realizes that the girl is Lena, he can’t stay away from her. Perhaps it's mere curiosity that he can’t stay away, as Lena is the niece of the town recluse, Macon Ravenwood (Jeremy Irons). People whisper in hushed tones about Mr. Ravenwood, claiming that he and his family are cursed, or are devil worshipers or even worse, witches.

Ethan finds out the hard was that with all the gossip that swirls around the halls usually the truth is mixed up in with all the lies. When Lena is bullied by some of the girls in her class, a freak accident happens where all the windows in the classroom explode. Lena, based on pure speculation, is suspended from school until the school authorities can investigate the matter. Ethan discovers that Lena did, in fact, cause the incident, but she is on the cusp of coming into her full power as a “caster” (a.k.a. witch). The legends say that when a witch turns 16, she comes into full power as a caster and the powers that be reveal her true nature; if she is of light or the dark powers. Macon, Ethan and most of Lena’s family believe that she is full of the good, light power, but Lena’s estranged mother Sarafine (Emma Thompson) believes otherwise. Sarafine enlists Lena’s older cousin Ridley Emmy Rossum) to help convince Lena she’s going to the dark side, but something more powerful may be able to help Lena stay in the light – Ethan.

If Ethan can help Lena discover how to break a curse before her ascension into caster-dom, they may still stand a chance as a couple.  If not, and Lena goes to the dark, there is no guarantee that Ethan’s life will be safe.

If you take the wit, sarcasm, humor and charm from a John Hughes film mix it with the supernatural flavoring of Harry Potter series and a touch of the romance from the Twilight series, you have something pretty impressive which is called Beautiful Creatures. The characters are engaging; the story is fresh and compelling and the special effects in this film are believable enough to engage viewers ensnaring them in the fantasy world the filmmakers have created.  Since the ending of Twilight, Harry Potter and in-between Hunger Games films, this could be the next hot series for that prime tween/ young adult audience to anticipate. Even as an adult, the story captures your interest from how much humor is wrapped into the dialogue and film making it an entertaining two hours in a theater. There are slight differences from the book to what actually made it into the film, but the film stays pretty close to the written page which should make the fan boys and fan girls of the series happy.  Be sure to check out “Beautiful Creatures” when it opens in theaters starting Thursday February 14, 2013.

Movie Review for A Good Day to Die Hard

A Good Day to Die Hard good_day_to_die_hard_ver3  

Starring: Bruce Willis, Jai Courtney, Sebastian Koch

 

Directed by John Moore

 

Rated: R

Run Time: 97 mins

Genre: Action/ Crime/ Thriller

 

 

Opens February 14th

 

By Lisa Minzey of The Reel Critic.com

 

Hey Phoenix Film Fans! Although it may be Valentine’s Day, a time usually for rom-coms and mushy romantic dramas, along comes something for the bromances and action movie lovers.  Bruce Willis stars in the new film “A Good Day to Die Hard”, the fifth film the “Die Hard” Series.

John McClane (Bruce Willis) has seen his fair share of “scumbags” in his career. When he notified that his son may be one of the social deviants arrested in Russia, McClane takes a “vacation” to see what his estranged son Jack (Jai Courtney) has been up to.  Looks like the apple doesn’t fall too far from the tree, as Jack take followed in his father’s footsteps in crime busting, in the world of espionage for the C.I.A.  Jack has been undercover trying to get to a Russian criminal, Yuri Komarov (Sebastian Koch) and flip him to help the Americans.  Russian political figure/ mafia boss Chagarin has been after Komarov for a hidden file which supposedly has information about Chernobyl that could incriminate Chagrin and his whole operation.

Jack’s cover is blown, and operation of securing Komarov is compromised the moment McClane shows up; yelling at Jack like any father would if their son just escaped a Russian prison. Jack ditches his father, resulting in a car chase across Moscow with hit men chasing Jack; McClane pulling up the rear causing a wake of destruction in their path.

Now with the mission compromised, no resources available from the C.I.A. Jack and McClane must work together to secure the safety of Komarov and get him and his daughter out of the country before his file falls into the wrong hands, jeopardizing not only the citizens of Russia, but the world.

Although this is the fifth installment in the “Die Hard” series, Bruce Willis still can deliver action like nobody’s business. An aging John McClane is still just as ornery in his old age and still can kick some serious scumbag ass. What lacks in this film is the mystery and thrills of a great storyline, which is replaced by gun fights, car chases and an excessive amount of explosions. I usually enjoy the “Die Hard” films and Bruce Willis action films and this film could have been truly interesting with the father/ son plot, but it just failed to deliver any substance. It mentioned way too many references from the 80’s and cliche of America that the international community perceives and it came off ridiculous instead of humorous. If you’re looking for an audio sensory overload action film to see this Valentine’s Day weekend, check out “A Good Day to Die Hard” when it opens in theaters nationwide starting Thursday February 14, 2013.

Identity Thief Movie Review

Identity Thief  identity thief movie poster  

Starring: Jason Bateman, Melissa McCarthy, T.I., Genesis Rodriguez, Amanda Peet, John Cho, Jon Favreu, Morris Chestnut, Robert Patrick, Eric Stonestreet

 

 

Directed by Seth Gordon

 

Rated: R

Run Time: 112 mins

Genre: Comedy/ Crime

 

Opens February 8th

 

By Lisa Minzey of The Reel Critic.com

 

Another film we checked out this week is the comedy "Identity Thief" starring Jason Bateman and Melissa McCarthy. This film has some heavy hitting comedy creatives behind it as the director of "Horrible Bosses" Seth Gordon, the screenwriter of "The Hangover Part II" Craig Mazin and producer of "Ted" Scott Stuber have teamed up for this unconventional comedy.

One of the worst feeling in the world is when you realize that something has been stolen from you. Much to Sandy Peterson's (Jason Bateman) chagrin, his identity has just been stolen.  Not by a man with similar physical features, age range or lifestyle but by a woman in Florida who likes to shop a lot, party and punch people in the neck.  Meet  fake Sandy Bigelow Peterson (Melissa McCarthy), the one with a warrant for his/her arrest for skipping her court date. When the police in Colorado show up to arrest the male Sandy, he pleads with the detectives to convince them that he was the wrong Sandy.  Unfortunately, the female Sandy stole his entire identity, charging up his credit cards and putting Sandy's new job in jeopardy.

Male Sandy works out a deal with the police, if he can get this fraud to confess to her crimes in Colorado, she can be brought up on charges for identity theft, clearing the real's Sandy's name. All He needs to do is bring her to the Colorado police. Sounds easy enough, right?

Wrong!  As soon as male Sandy tracks down the female "Sandy", a.k.a. Diana, she proves she's not going down without a fight, nor does she actually even care what her actions have done to others. Many hi-jinks ensue and eventually 2 henchmen, Julian (T.I.) and Marisol (Genesis Rodriguez), for incarcerated crime boss Paulo (Jonathan Banks) and a bounty hunter, Skiptracer (Robert Patrick) are hot on Sandy and Diana's trail. Will Sandy be able to get Diana to Colorado to clear his name or will this trip be a total bust?

For such an unlikely paring, the duo of Jason Bateman and Melissa McCarthy make a brilliant comedy team. McCarthy is a genius at physical comedy and when going head to head with Bateman's dry sarcasm, what looks like an unusual comedy delivers quite a few laughs, gaps and screams of disbelief.  A screwball comedy that keeps rising the stakes delivers on the comedy, making this a must see for comedy lovers. If you thought McCarthy was hilarious in "Bridesmaids", she kicks the comedy into high gear and doesn't stop until the credits roll. It was interesting to see so many actors primarily known for their television comedy or more serious film roles chops pull out some strong supporting roles for Sandy and Diana's road trip. Eric Stonestreet (Modern Family) as Big Chuck, Robert Patrick (Terminator 2: Judgement Day), and Jonathan Banks as Paulo (Breaking Bad). Overall, the first great comedy of 2013 that is one not to miss. Be sure to check "Identity Thief" when it opens in theaters nationwide starting Friday February 8, 2013.

 

 

 

 

Movie Review for Side Effects

Side Effects  Side Effects

 

Starring: Jude Law, Rooney Mara, Channing Tatum, Catherine Zeta- Jones

 

 

Directed by Steven Soderbergh

 

Rated: R

Run Time: 106 mins

Genre: Drama/ Crime/ Thriller

 

Opens February 8th

 

By Lisa Minzey of The Reel Critic.com

 

Hey Phoenix Film Fans!  Opening this week is the so-called last film of Director Steven Soderbergh's theatrical career.  He's retiring from films and says will be working on smaller projects, most likely in television. He picked a doozy of a film to go out with a bang with, the psychological thriller "Side Effects". It packs a whollop of star power in the casting of Channing Tatum, Jude Law, Rooney Mara and Catherine Zeta-Jones.

Emily Taylor (Rooney Mara) is a patient woman. For the past 4 years, she has been waiting for her husband, Martin Taylor (Channing Tatum) to get out of prison. Martin had been incarcerated for insider trading and Emily, unable to cope with the trauma of losing her husband, losing their wealth, home and miscarrying their child, had a psychotic breakdown, seeking treatment for depression. She went through a slew of medications, but now that Martin has been released, the depression has surfaced with a vengeance.  Emily, unable to deal with the changes in her life, runs her nice VW car head first into her garage's brick wall.  A nearby janitor witnessed the scene and while in the emergency room, the witness's account played into the diagnosis as Emily is determined a suicide risk. The physician who treated her in the E.R. was Dr. Jonathan Banks (Jude Law).  He allowed Emily to be released provided she saw him for treatment several times a week until he was convinced that Emily had her depression under control.

One prescription he put Emily on was based on the recommendation of Emily's previous shrink, Dr. Victoria Siebert (Catherine Zeta-Jones), the anti-depressant Alblixa. Emily seemed to do ok at first, getting her sex drive back, being able to function during the day but at night she would walk in her sleep. Martin was concerned about Emily's safety at night because several times she would cook or clean in her sleep. Dr. Banks knew this was a possible side effect and was going to take Emily off of it, but she insisted staying on the drug. Dr. Banks obliged as he was giving her control of her treatment to a point and did not consider her a threat. His career was taking off as his patient load was filling up, he was asked to be a participant physician in a drug study, and along with his rotations at the hospital, his focus on Emily was not quite 100%.

About 3 months into her sessions with Dr. Banks, Emily slept walk one evening and murdered Martin while unconscious. Unbeknownst to her,   she awoke finding the bloody body of her beloved husband. Once the authorities arrived at the scene, Emily became suspect number one in the case. Emily was arrested, and the case went to trial where she ended up taking a plea deal to be in a mental institution where she could be under observation. The defending attorney based the case on the side effects of Alblixa, which cause Emily to sleep walk. Seemed like a pretty open & shut case to Dr. Banks who kept treating Emily while in the mental institution.

Although everything made it look like Martin's murder was due to the side effects of Emily's prescription, Dr. Banks career was now in shambles due to the high profile court case. In an effort to clear his name, Dr. Banks does some deeper digging into the studies of Alblixa. What he finds is highly questionable and involves Dr. Siebert and her knowledge about the side effects of Alblixa.

The more Dr. Banks investigates; he is convinced that he made the wrong decision about Emily and now in a race to reclaim his life before he loses everything he holds dear.

This film has many layers to this cat & mouse psychological drama.  Director Steven Soderbergh picked a fantastic project to usher in his retirement with. The moral and ethical dilemmas dog piled into this film, the actors do a phenomenal job of tackling and delivering compelling performances. For those who thought Rooney Mara was a heartless psychopath in "The Girl With the Dragon Tattoo", she takes the unhappy housewife to a new level.  This film takes so many twists, turns and delves in to murky waters with hot button topics such as large corporations, quality of mental healthcare and dependence of prescription drugs that this is one film that will spark many a debate once you leave the theater.  Be sure to check out "Side Effects" when it opens in theaters starting Friday February 8, 2013.

Interview with Director of "Warm Bodies" Jonathan Levine

Interview with Jonathan Levine, Director of “Warm Bodies” WARM BODIES  

By Lisa Minzey of The Reel Critic.com

 

Making serious or scary topics feel more relatable is a talent of Director Jonathan Levine. We were able to sit down with the gregarious director to chat about his new film “Warm Bodies”, his awesome taste in music and why he can relate to zombies.

 

PFF: I told Dave [Franco] this, but this is the first film within probably the past 18 months I can remember watching and getting so caught up in the story, unable to take my eyes off screen.

 

JL: Oh thank you! That’s part of what I like about it, is that it kept surprising me when I read the book. The screenplay didn’t because I wrote it.

 

PFF: Did you collaborate with the author on the screenplay?

 

JL: Yeah, a little bit. It wasn’t a true collaboration. The author [Isaac Marion] wrote an amazing book. I ran away and started messing with his book and then I would show him. I like him a lot. We’re super cool; and I would show him drafts, take his feedback, but it was important to me to have a degree of independence from him so I could interpret his work without hurting his feelings. I do think that it is really important, especially for me because I really care if people like me or not. I kind of had to protect myself and be like “I’m going to do what’s best for the movie”. To his credit he was very support of that.

 

PFF: It seems like this film is very philosophical as if it’s laced with many metaphors through out the movie. Was that a conscious element of your writing or something that just flows out?

 

JL: Definitely, definitely. It’s really important because, well much of that is from the book. I think it’s really important because it’s the metaphors that make me connect to it. You know? The metaphor, “what is it to be alive?” What is does it mean to live in the moment? I love that moment when everyone is on their cell phones and you’re like “These people are not really living; they’re almost as dead as the zombies”. I think about that some times because we’ve actually been at airports a lot on the press tour, and I look at airport completely differently now. But even the central message of tolerance, they’re not like super sophisticated, they’re nice; they’re good messages to put out there into the world. I think that the other message that they way these two come together and the fact that love can help both of them become better people, I think is really sweet. I’m allergic to sweet stuff, so I also like the violent stuff and the music; I like having that stuff there and undercutting it because I’m uncomfortable with nice sentiments.

 

PFF: I don’t think this should be even called a romantic comedy because it’s so different; it’s more of a guy’s romantic film.

 

JL: Yeah, I think it works for guys and girls. Hopefully it does… Are romantic comedies only for girls? Because I love romantic comedies -

 

PFF: No, not at all! It’s just that most guys tend to steer towards more of the  comedy, horror or action types of films… but this film is so guy friendly, it’s almost like a guy’s love letter.

 

JL: Yeah, you know I totally identified with the guy in the movie [the zombie “R”]. I have felt like that person many times in my life. Trapped in your body, around a girl you’re really psyched to be around, unable to express it; thinking you are gross, you know? I’m saying it because a lot of guys feel that way, you know? So I found it very identifiable. That’s why zombies are such a smart and popular genre because the metaphors are really identifiable.

 

PFF: While watching I couldn’t help but notice some of the classical elements from Shakespeare thrown in the film and that you were able to create this fusion of genres, making it fresh and unique was incredible.

 

JL: Well that’s what I really loved about this story is that it had all these references an allusions of all these pop culture and literary elements but felt completely fresh.

 

PFF: The music used in the film felt like its own individual character. Did you have a difficult time getting any song that you really wanted? Was there any songs used in the script that didn’t make it into the final cut?

 

JL: Yes. There were definitely songs from the script that had to be cut. I didn’t write too many songs into the script, but I did write a few. When you get towards the end of filming and you start spending more money than you want, you sometime use money that would have been set aside for music. The producers and studio on this film were very careful to protect the music budget so that I could get whatever I wanted. That’s not to say that we didn’t have some financial restraints sometimes, but you know we were really able to think in broad terms about the music. One of the main reasons I wanted to do this movie was the opportunity to use so many kinds of music. o you know my favorite kind music is probably the 70’s album rock stuff, like the Bruce [Springsteen] and the [Bob] Dylan and then there’s the M83 and the National and these amazing contemporary artists and I love the way they just combine and create a certain level. They work together like the pop culture and literary references work; they all mash into each other and create a unique sound.

 

PFF: It felt more relatable when you have all those pop cultural references mentioned…

 

JL: I like having that short hand with the audience. I like playing and 80’s power ballad and allowing the audience to not only think about the song but to think about when they first heard that song on the radio. Did they think about a girl the first time they heard that song? There are so many nice little additional levels of meaning when you use a song people already know.

 

PFF: Did you have a favorite scene in the film?

 

JL: I love the beginning of the movie, a lot. Because it has a lot... the so much of the tone of the film is established there. I love the scene where he [the zombie R] plays Guns N’ Roses for Julie; that’s one of my favorite scenes. Not to like sound like I think I’m smart, but I like the way I shot it. I mean I go back and I agonize over mistakes I made in scenes, I’m kind of neurotic about those things, but there are very few scenes where I look at it where I don’t think about another way I should of shot it and that is one of those scenes where I don’t think that. I love the performances; I love the way it looks. I love the sort of sentiment that he’s using; the words of Axl Rose to get through to her. That is one of my favorite scenes.

 

PFF: It was a great exercise in communication –

 

JL: Yeah totally

 

PFF: Most girls think that’s how guys try to communicate with them anyway, grunts & shrugs…

 

JL:  Well, the mixed tape is a good way to get – it’s a lost art.  I mean, now a days it’s a Spotify playlist.  If you want to get someone to fall in love with you, you need the right tape.

 

PFF: Back in the day you worked under Paul Schrader (screenwriter/ Director of films such as Taxi Driver, Raging Bull, Affliction, and American Gigalo). Was there any lessons or philosophies you picked up from working with him?

 

JL: I was his assistant, so any lesson I would pick up would be for me to get. Although he wasn’t imparting advice to me on a daily basis, he was super gracious. I would say the most stuff I learned to do from his was listening. Listening to him and his phone calls, the way he would speak to his collaborators. The way he kind of lived to me was kind of interesting because he would come in to the office and write and then he would take a nap. Then he would go to the movies and come back and write more. He was always thinking, Maybe he wasn’t even taking a nap but he was lying down with his eyes closed. He would go to museums a lot. It just taught me… he took being a creative person very seriously in the way he approached his life, and I never forgotten that. Another thing that would happen is like he would type up pages, he would only work on a type writer because he didn’t want to be on a computer because he thought he would end up just surfing the internet, which is what I do when I’m writing. So he would type on a typewriter and then hand them to me to enter into Final Draft, so I would get to see him come up with an idea, write it down, hand it to me and come up with another idea, write it down; hand it to me so I got to actually see his process in real time and that was invaluable. One of the most valuable things I learned from working with him was honestly that if you’re going to do something, you just do it.   It motivated me to go film school; I went to the same film school he did, it motivated me to actually stop working for him, ironically, but I’m grateful to him for that.

 

 

Be sure to check out Jonathan’s new film “Warm Bodies” when it hits theaters starting Friday February 1, 2013!

Interview with Actor Dave Franco of "Warm Bodies"

Interview with Dave Franco WARM BODIES  

By Lisa Minzey of The Reel Critic.com

 

You may hear the name Franco and think of James, but younger bother Dave has been making a name for himself starring in various TV and film roles such as 21 Jump Street (2012), Super Bad, Fright Night and 7th Heaven. Dave’s latest role is in the zombie love story, “Warm Bodies”, which may surprise audiences to see a different side to the intriguing actor.

 

PFF: How did you become involved with Warm Bodies?

 

DF: When I first heard about the project, to be honest, I wasn’t jumping out of my seat for it because I heard it was another zombie movie and there’s been so many of those lately. The reason I was drawn towards it was the director, Jonathan Levine. I’m a huge fan of his past work especially “The Wackness”, I’ve seen it a handful of times and of course 50/50. I knew that someone like him just looking at his track record, I knew he was going to bring do something new and fresh to the genre, make it his own. Then I read the script and saw that it was trying to be something new. For me I love projects, whether or not they work, if they are trying to attempt to try and do something original. This script, in the wrong hands, could have been a disaster. But then again Jonathan Levine is the perfect guy for the job because you look at a movie like 50/50. That film is another movie where he balances the tone, this very serious movie about a guy who has cancer, but he some how is able to infuse comedy, making it feel seamless; where in retrospect, it could have been very offensive. Then with [Warm Bodies] it’s a zombie movie, which brings in the humor and the romance and is he’s able to just somehow make it all work.

 

PFF: So he’s able to inject life into an otherwise “dead” genre?

 

DF: Totally, totally!  And who knows? I’m curious to that there’s going to be a resurgence of zombie movies now told from the zombie’s perspective, if this does well.

 

PFF: Did you have to do any special training for you role in this film?

 

DF: The only real training we did was, we went to the gun range just to try and make those scenes look and feel as natural as possible. It’s always interesting as an actor because you get to learn about things in different fields of work that you would never have the chance to learn otherwise. For instance, there’s a gun expert on set and I loved nerding out with those guys, picking their brains trying to find out everything I can know about these guns. Because my nightmare, for example, is for a guy in the military to see this movie and see my scenes of where I’m handling a gun and saying “That’s not the way how we hold our guns.” I try to make those details feel as authentic as possible.

 

PFF: I see that you’ve done a lot of TV. and films, and this role seems a lot different that what audiences have previously seen of you. It was refreshing to see you in a more serious role.

 

DF: Yeah definitely. I think this was another reason that I was drawn towards the project. I’ve done the primarily comedies up to this point and I feel just as comfortable with dramatic roles, I just haven’t really had the chance to “spread my wings”.  You know my last few projects, I keep getting pigeon-holed as the “jerk, “douche bag’, or “asshole” character and it’s was fun at first because it was playing someone completely outside of who I am, which was fun at the time but I’ve exhausted that role. There’s not much more I can do with it. It was nice though to show a bit of a softer side and kind of a wimp at times; I was able to show a romantic side and even though my character does become hardened by his circumstances, by the end of his journey you understand why. He becomes a justifiable jerk. Any actor will tell you it’s nice to change things up every now and again.

 

PFF: You mentioned at the screening that you also are a writer and filming with your friends. What type of projects do you normally focus on?

 

DF: My friend Brian McGuinn, who I’ve known since middle school, he’s an amazing director; an up-and coming guy. We do these videos for FunnyOrDie.com and I write and act in all of them; Brian directs and shoots them. We both then edit the shorts together. In general, they’re all silly, comedic bits, but the reason I love doing them is that Funny Or Die give us complete creative control, so we can go wild. Like I was saying earlier, I am drawn towards projects are original, so my videos are off-the-wall and they’re not for everyone. The people that are attracted to them, like them because they are trying to be something different. I’m excited to talk about them because we created them from the ground up and I think as twisted as they are, it is an accurate representation of my type of humor. Another thing they allow me to do is to be patent and allow me to wait for movie roles that I really want to do. Instead of waiting around for the next audition feeling antsy or bored, needing to be back on set, I make these videos with my friends and it keeps me busy.

 

PFF: How would you describe your sense of humor?

 

DF: It’s kind of dark, kind of pushes the envelope at times, at times we go too far. A lot of the time it’s kind of sexual, but I think what makes it stand apart is that Brian has such and amazing eye and he makes these over the top sexual videos look beautiful. So I think that people may be a little weirded out but impressed that we would go to such lengths to sell a dick joke and I think that’s why people like them?

 

PFF: What else are working on? What’s coming up for you?

 

DF: Over the summer I have a movie coming out called “Now You See Me”. It’s a movie about these 4 magicians that come together and use their ability to pull of bank heists. It has this incredible cast; the list ever ends. Jesse Eisneberg, Mark Ruffalo, Woody Harrelson, Isla Fisher, Morgan Freeman, Michael Caine; its unbelievable. So I sort of snuck my way in. Just being on set with these guys where some of them have been in the business 20,30,40+ years, just being able to see their process, how humble they are and how they sometime doubt themselves in a very endearing way. Even though they have been in the business a long time, they want to push themselves, to be better and that was invaluable. To even be mentioned in the same sentence as these actors is incredible.

 

PFF: What’s one piece of advice you could offer to someone who is trying to get started in the film industry?

 

DF: I would say because the internet can do so much these days and everyone has access to a camera, go out and make as many films as you can, with your friends, with whomever.  That’s how you’re going to learn and get better. If you make something and it doesn’t work, worst case scenario, no one will watch it; best case scenario, it became this viral video on the internet and people pay attention for your upcoming videos. It’s just the best way to do it; that’s what we’re doing with Funny or Die. Slowly we have been trying to evolve in terms of going from making these 2-3 minute skits to these 10 minute short films that have a narrative to them. Hopefully we will evolve even further turning some of these shorts into feature films, working with my best friend I’ve known since childhood. That’s all I can say is that just get out there, do as much as you can, fall flat on your face take risks, because at this point when you’re not in the public eye, worst case scenario, no one watches it.

 

Check out Dave Franco as Perry in “Warm Bodies” when it opens in theaters Friday February 1, 2013.